![]() ![]() ![]() Thus, it can be a useful basis for reconsidering the musical entanglement of modern fiction, particularly if it is inspired by a polyphonic form or texture, and usage of new interpretative contexts at the intersection of cultural and literary studies. Both Szostak and Joyce address the problem of experience of an individual trying to find a new or proper method of articulation a language overview of this idiomatic, entirely individual experience. PLEASE, JANGAN SKIP IKLAN YALINK BERUPA FILE CORELDRAW (CDR) Versi X4 keatas. The intermediary world of human experience as a modern vision of reality is the subject of representation in modern literature, integrally linking it with intersubjectivity and thresholds of expression. MOHON DIBANTU UNTUK PERKEMBANGAN CHANNEL INI. This question is deliberated with reference to "Fuga", a very recent novel by a Polish author Wit Szostak, and its interpretative context – one of the most celebrated examples of musico-literary experiments: the “Sirens” chapter of Joyce’s "Ulysses". The article concerns a specific model for reading a work inspired by musical forms: the author proposes to include the poetics of experience into music-and-text research and to treat the fugue as an inspiration for artistic elaboration of the topics of subjectivity, identity, and experience in a literary text. ![]()
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